When we re-mix something, we re-imagine what it is, what it was, or what it has the capacity to be. We live in a constant state of re-mix, taking the substance of the world as we experience it, then creasing and folding it at the corners to create something new, but familiar. Novel, but known. In this way, we allow our art to re-write narratives, re-play memories, re-stitch language, and re-state truths. In Issue 72: Re-mix, we call for work that embraces re-imagination in all its possibilities. Send us work that forces us to re-consider myth,… Read Article →
